Tag Archive - Photography

The Solitude of Ravens

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From “the art of losing love, pt.1″ by Stacy Oborn:

masahisa fukase’s best known work was made while reeling from loss of love. after thirteen years of marriage, his wife yoko left him. while on a train returning to his hometown of hokkaido, perhaps feeling unlucky and ominous, fukase got off at stops and began to photograph something which in his culture and in others represents inauspicious feeling: ravens. he became obsessed with them, with their darkness and loneliness. his photographs capture them midflight; crouched in trees at dusk with glowing eyes; and singularly and spectacularly depressingly dead, in cold deep snow. in the forward to the book published of this work, akira hasegawa writes, “masahisa fukase’s work can be deemed to have reached its supreme height; it can also be said to have fallen to its greatest depth. the solitude revealed in this collection of images is sometimes so painful that we want to avert our eyes from it.

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Pulp Art Book

Picture 3

From the Publishers:

“Neil Krug’s stylized photos of his girlfriend [now wife], the model Joni Harbeck, were taken with Polaroid film years past its sell-by date. They have the kind of grainy, sun-scorched feel of a Sergio Leone spaghetti western. And ever since the couple began posting the photos on Flickr early this year, they’ve drawn a blaze of attention.” – The New York Times. Continue Reading…

Tokyo Nobody

Tokyo Nobody: Photos by Masataka Nakano:

dreams, in the moment of their passing

From Jong Kim’s Flickr stream. I love everything about this: the image, the poem, but even more so, the wonderful detail of the process: Continue Reading…

a photography that is ‘unfinished’

Photography portfolio of Paolo Pellegrin

Photography portfolio of Paolo Pellegrin
“I’m more interested in a photography that is ‘unfinished’ – a photography that is suggestive and can trigger a conversation or dialogue. There are pictures that are closed, finished, to which there is no way in.”

—Paolo Pellegrin

Hive Photos


“We worked together like bees — each doing our little bit, apart from the others, but producing something greater and, ultimately, understood by none of us individually”

(via @GreatDismal)

DK’s True Blood Titles

DK

DK's True Blood Titles
Just started getting into True Blood, Alan Ball’s latest HBO series about a telepathic waitress in Bon Temps, Louisiana who falls in love with a vampire. Like Ball’s previous project, Six Feet Under, the title sequence was created by the talented team over at Digital Kitchen and presents a perverse montage of imagery that perfectly captures the juxtaposition of sinister and spiritual underlying the American South. Better still is the “True Blood Featurette” that links from the same page which I can only assume is a director’s cut of the more twisted material that was collected for the project.

UPDATE: I was showing these clips to my friend Doug today and he directed me to some additional “disturbing deep south fun” from the documentaries Searching for the Wrong Eyed Jesus (which we both concluded was a primary influence for the DK title sequence, some footage seeming to be directly lifted from this film) and The True Meaning of Pictures: Shelby Lee Adams’ Appalachia of which I can find very little in terms of footage online but did find a gallery of the photographs on which the film was based. Disturbing fun indeed.

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Started following .?’s photostream on Flickr when he started following me but I have been obsessed with his work ever since with its strange bleached out nostalgia-like feel. Enjoy.

Field Research: Hot Rods

Funny Cars

Funny Cars
I’ve been working on a project for the past two weeks that has found me immersed in the graphic language of rockabilly, burlesque, punk rock, chopper bikes and hot rod cultures. I can’t reveal much more than this at the moment but thought I would share with you two of the more unapologetically cooler websites that have crossed my path in the course of my research, both of them harkening back to a simpler time when a woman’s place was on the pinup calendar and men were measured by the muscle under their hoods: 60′s & 70′s Funny Cars.

(Now if I only knew where my old Hot Wheels collection got to…)

Beggars to Exiles

Rolling Stones - Beggars to Exiles

Rolling Stones - Beggars to Exiles
Currently showing at the San Francisco Art Exchange is Beggars to Exiles: The Photography of Michael Cooper and Dominique Tarle, that documents the Rolling Stones between 1967 and 1971, a period during which the band singlehandedly defined the archetype of the rock n roll star –the fashion, the drug busts, the groupies, the villa in the south of France — for all who followed.

Though somewhat of a pain to navigate, the online version of the exhibit is quite comprehensive and includes such insights as:

To record “Exile on Main Street” Keith Richards rented Villa Nellcôte, the “Gestapo headquarters during the Second World War,” complete with swastikas on the floor vents. The basic band for these sessions is believed to have consisted of Richards, Bobby Keys, Mick Taylor, Charlie Watts, Jimmy Miller, and Jagger when he was available. Bassist Bill Wyman did not like the ambiance of the Richards’ villa and sat out many of the French sessions.

Brilliant.

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