The Collection continues with 13 works from over at Regen Projects
Also of note, it was recently announced the Pettibon is the 2010 recipient of the Oskar Kokoschka Prize. As this year’s winner of the biannual prize, the artist will be awarded €20,000. Pettibon will receive the prize in a ceremony to be held at the University for Applied Arts on March 1 at 11:00 o’clock in Vienna.

The influence of data system mapping is immediately apparent when first confronted with the drawings of Emma McNally. The complexity of lines could represent online chatter, the flight path of starlings, or a new global epidemic. But they are all pencil on paper and any system that is being plotted here exists purely within McNally’s mind.

From over at Art:21

After a brief hiatus, the Art I Pass By series returns for the summer with this beautiful series found at Pender and Cambie.

“Like an archeologist I hunt for the words that speak to me with new meaning. Intuitively, one word at a time, they turn into a kind of haiku or philosophical poetry that I can call my own.
“At some unpredictable point along the way, in my mind, the images start to invent themselves. Using colored vellums, graphite and or India ink to highlight or obscure my words; I create the image of that invention. Though I strive to make each document visually engaging I find it is the words that I …

Romanywg’s photoset of Faile’s Lost in Glimmering Shadows show in London.

On Flickr and over at Wooster.

“Working in the early 1960s with wide strips of cellophane packing tape, Brakhage captured fleeting things — among them, blades of grass, pieces of flower petals, dust, dirt and the diaphanous, decapitated wings from insects. His process revolved around using the tape to produce a series of facsimile filmstrips: wider than the elegant Super-8 that was his hallmark medium (Mothlight, a mere three minutes in length, was actually shot on 16mm) but long and geometric: they’re a suite of attenuated rectangular portraits. The idea of using adhesive tape as a …

Amazing work by Zhong Biao.

Stumbled upon a brilliant exhibit at the Yaletown Jennifer Kostuik Gallery during lunch break today. Texas based artist William Betts (whose website curiously bares an “iPhone Optimized” icon) taps into the Big Brother omnipresence of our modern world, taking webcam and surveillance video screencaps as his subject matter and, by exchanging pixels for pointillism, reinterpreting them in often abstract and beautiful ways.
Says Betts in his Artist Statement:
“Today we have so many layers between the individual and direct experience, it fundamentally changes how we see the world…I am intereseted in how …