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William Betts returns to the Jennifer Kostuik gallery this week with a new series of paintings that explore our notions of privacy in the digital age. Whereas his last exhibit dealt with the passive mediating agent of the surveillance/CCTV camera, this series shifts towards the theme of voyeurism depicting beach and swimming pool scenes that reflect our paparazzi/Facebook-fueled fetish for consuming personal moments within the public space.
The paintings are created using a technique that involves drilling small holes in the back of acrylic mirrors and filling these holes with paint. …

The first in a three part series, legendary visual effects artist Douglas Trumbull talks about the inspiration and process that led to the creation of one of the greatest dystopian landscapes in science fiction: the opening sequence of Blade Runner. (via Daring Fireball, via Coudal)

CLIENT: Change Advertising / Vancouver Skateboard Coalition
ROLE: Art Direction / Illustration / Design