“My intention is to create work that asks questions about the implications of urban sprawl and its impact on the environment. I am interested in creating psychological narratives set in closed systems that express the behavior of and the interaction between humans and animals. The dystopian model creates a dynamic playing field where I can experiment with these ideas and forms.”
The stunning, isometrically-inclined work of Josh Keyes.

A current favourite online visit, Bryan Finoki’s Subtopia is a discourse on military urbanism, the architecture of occupation and oppression, and the overarching question of why we, as humans, have it in our nature to build walls between ourselves.
To give you an idea of the subject matter, a recent entry features Jonathan Olley’s stark, haunting photos of Northern Ireland’s police stations, barracks and watchtowers; structures from a troubled past that are quickly disappearing to progress; to be too readily forgotten rather than stand as a reminder/memorial of how …

Below is a link to the video of Dawn Landes’ beautiful bluegrass cover of Peter Bjorn & John’s “Young Folks.” Dawn recorded the song with WST (We Sorta Tried) Bluegrass Band from Austin, TX. Kind of ironic as apparently, the youngest “folk” in WST is 67.
More on Dawn Landes: She hails from Kentucky but she lives in NY, performing and recording with the musicians from Hem and The Earlies. She’s supported José Gonzalez, Suzanne Vega, Shannon Wright, Feist, Le Tigre and Andrew Bird and she has worked as …

My friend West keenly observes that it is a rare case to see a street kid downtown that doesn’t bare some form of the Misfits skull, which is how the logo came to be the 8th addition in our ongoing series Great Counterculture Logos. As for its own origins, the image was adapted by Glenn Danzig from The Crimson Ghost, a 1946 movie serial about a cloaked villain’s attempts to obtain a counter atomic device known as Cyclotrode X.

It is still early. The shades at the Commodore have been drawn to hide out the May late evening light. The opening band, Photo Atlas, pours its heart out on stage to a dozen or so kids swaying back and forth on the dance floor while others bide their time sipping cocktails in the shadows of the surrounding booths. It is the first night of the tour. Headliners, the Bravery have a new album coming out in a week’s time, so in the interrim it is all about gaining momentum …

One of graffiti’s most dependable traits is its temporal nature. Disgruntled property owners will inevitably get around to hiring someone to rid their walls of what is, from their perspective, pure vandalism and defacement of property. That is partly why I started the “Art I Pass By On My Way To Work” series in the first place, to capture the moment however fleeting and provide the work with a more permanent exhibit.
Anyway, the collection finally has a Flickr Set which I will continue to add to and – this …

New York rockers, The Bravery are going to be at the Commodore in Vancouver this coming Monday toting their yet-to-be-released sophomore effort, The Sun and the Moon (in stores May 22nd). Chances are if you were deep into the “nu-rock” wave that washed through a couple of years back with the Icarus-like rise of Franz Ferdinand, The Stills and The Killers, then you may have picked up The Bravery’s self-titled first album in the process. It was a listenable collection of tracks, with high points arising typically when the song …

Chris Jordan’s photographic essays seem to always be preoccupied with uncovering beauty in the spoils of our society. Discarded circuit boards take on a patchwork air, while a rack of waterlogged dresses hints at a rainbow in the otherwise twisted wake of a post-Katrina New Orleans. In his series Running the Numbers, he uses statistics as his subject, producing compelling large scale photographic collages that serve as visual representations of societal numbers that are often too collosally abstract to even try to comprehend.
As Jordan states: “I am appalled by these …